Painter Recreates the Hudson Valley as it was in His Childhood

‘My father was born in Ossining, so our car would slow down whenever we passed through it. I had often seen the little city in daylight on our drives, but I was once struck by this evening view. I don’t recall where we were headed but the sunset was unforgettable, and so was my father’s peaceful demeanor. To live near a majestic river is to be perpetually informed by a great, implausible metaphor of tranquility in motion.’

As a child I often had the exuberant dreams and daydreams of flying over rooftops. Painting from that perspective offers a free flight for the child that still lives inside this 75-year-old man,” said Joe Madden  

Madden, a Hudson Valley artist, grew up in Sleepy Hollow (then North Tarrytown) on Continental Street. After a long career in art, Madden decided to take on a new project — painting the Hudson Valley from the perspective of his childhood self.  

“I grew up drenched in the same magic of the area – the hills, the streams, the Hudson. As a child, I had the impression that all the WPA [Works Progress Administration] stonework that decorated roadsides, parks and estates of Westchester had been there since the beginning of time,” Madden recently wrote in an email.  

His appreciation for the Hudson Valley landscape developed in harmony with a natural attraction towards art.  

“The earliest art project I can recall was drawing on the blank fly-pages at the front of all the books in my parents’ bookcase. I was baffled by the trouble that got me in because I genuinely believed blank pages were meant for kids to fill with drawings,” Madden said.  

And he would soon discover, that would be the case. 

“My first paint & brush experiences were in second grade at the Beekman Avenue Elementary School where the visiting art teacher, Mrs. Hopfsteader, took a special interest in me and invited me to join a small group of 3rd and 4th graders who painted for an hour or so daily, after school,” he said.  

This accelerated track became a pattern. Madden was recognized as “gifted” throughout his childhood, and this praise combined with his talent is what spurred his interest in an art career.  

After graduating high school, Madden enrolled in Buffalo State College to pursue a degree in art education and teaching. After the Vietnam War occurred and he got married, he went into commercial art for a better salary. 

Joe Madden (Photo supplied)

After years of design work, Madden began illustrating books, covers, and advertising and editorial works, all of which developed his painting and realistic rendering skills. In 1989, Madden began experimenting with black and white prints of his pencil sketches to sell on the outdoor art show circuit. In the early 1990s, he switched to oil and acrylic painting full-time, taking on commercial work part-time. 

‘The Music Hall was built in 1885. The last film I saw at there was Dr. Zhivago in the ’60s. I recall the theater’s sidewall niches with back-lit silhouette figures and imagined them as carry-overs from the early days.’

“I did a lot of figure painting, semi-abstract figures and subjects bordering on the Surreal…. I [also] started painting hyper-realism, for which there was more demand than for more meaningful art,” Madden said. 

With a long, continuously evolving career, about 15 years ago his work came to an unforeseen pause.  

“Due to personal loss and other difficulties, there was a decade of very little painting. It wasn’t until I reached my late 60s that I decided to paint again, and happily. I finally committed to painting what I had often dreamed of and had never done, scenes from my early childhood in the 1950s,” Madden said. 

This process involved three steps: recalling the images that held childhood him in awe; preserving them unbothered in his mind throughout his life; and working to transfer them to canvas as authentically as possible. 

Creating these works brings on a sense of nostalgia, but most notably, reconnects Madden to a childhood appreciation for the world around him.  

Madden articulates what he hopes his paintings will inspire in others, and what they inspired in him over the last five years.  

“There is a kind of bliss known to children that most adults strain to recall. I want to remind people that if you’re out of practice with the vision you once had as a child, let your heart guide your eyes now and then. More generally, I recommend this verse I wrote a few years ago that underpins all my paintings,” he said. 

Seek beauty and take of it as breath 

To gather worthy moments 

In such abundance 

As one who lives a thousand years. 

To view Madden’s work, visit his Facebook pages: Hudson Valley Paintings by Joe Madden and Joe Madden. To contact Madden, email


    1. It was actually the North Tarrytown Elementary School, fronting on Beekman Avenue between North Washington and Pocantico Streets, where parking lot for W L Morse E.S. now stands. At that time ‘Morse’ was the Jr/Sr H.S. Spent many hours playing touch football, basketball and stickball on what is now parking, in the latter game trying to reach the roof of the five-story apartment building across Pocantico Street. Never did – only saw it done once (by legend, that was the one and only).

  1. Joe. I really enjoy your art work and story behind a lot of your work. Most recently you showed a rough and final drawing of a work you were going to paint. Well I couldn’t help but think you might have your black and whites of all your paintings. If you do I think you could make a book for people to color themselves. It came up because my wife is always coloring adult coloring book. She would love to have a change of palette instead of flowers and designs. As you know I admire your work and couldn’t help but wonder

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About the Author: Abby Rose Notarnicola