KinoSaito Art Center

U.F.O. (Untitled Folding Object) 1329 is a solo presentation that consists of a site-specific installation and a series of related drawings by the Brooklyn-based artist Reuven Israel. This exhibition continues the artist’s abiding interest in architecture and sacred spaces’ overlapping and conflicting histories. Israel responds to the original structure of the gallery at KinoSaito. Formerly […]

Unifying Threads of Our Evolution is a visual exploration of the intricate connections that bind us together as individuals and communities, while also showcasing the transformative journey we share. This mural serves as a testament to the idea that our identities are woven from diverse experiences, cultures, and histories, creating a rich tapestry that reflects […]

The Wrong Side of the Brush brings together six paintings, five of them made between 1977 and 1978, and a single one — the blue one, Blue Ladder — made in 1987. The medium is acrylic on canvas kept raw, without gesso, a technique favored by Saito that puts his work into direct conversation with […]

U.F.O. (Untitled Folding Object) 1329 is a solo presentation that consists of a site-specific installation and a series of related drawings by the Brooklyn-based artist Reuven Israel. This exhibition continues the artist’s abiding interest in architecture and sacred spaces’ overlapping and conflicting histories. Israel responds to the original structure of the gallery at KinoSaito. Formerly […]

Unifying Threads of Our Evolution is a visual exploration of the intricate connections that bind us together as individuals and communities, while also showcasing the transformative journey we share. This mural serves as a testament to the idea that our identities are woven from diverse experiences, cultures, and histories, creating a rich tapestry that reflects […]

Join us at KinoSaito every Sunday in May for the return of our Flower Print Workshop! Participants are invited to create their own colorful artworks using natural materials inspired by the work of Soli Pierce and Bruce Odland on display. All materials provided. Kids and families of all abilities are welcome.

The Wrong Side of the Brush brings together six paintings, five of them made between 1977 and 1978, and a single one — the blue one, Blue Ladder — made in 1987. The medium is acrylic on canvas kept raw, without gesso, a technique favored by Saito that puts his work into direct conversation with […]