I like to think of a first draft as the block of marble we’ve dragged up from the quarry into our studio. The first draft might be roughly the size and shape of our story but without revision, we cannot bring out the unique qualities that will cause a story to leap off the page […]
I like to think of a first draft as the block of marble we’ve dragged up from the quarry into our studio. The first draft might be roughly the size and shape of our story but without revision, we cannot bring out the unique qualities that will cause a story to leap off the page […]
I like to think of a first draft as the block of marble we’ve dragged up from the quarry into our studio. The first draft might be roughly the size and shape of our story but without revision, we cannot bring out the unique qualities that will cause a story to leap off the page […]
The Hudson Valley Writers Center is proud to present a monthly craft series featuring five award-winning poets & beloved professors. Each poet will share the insights about craft that they have gleaned from decades of devoting themselves to studying the art of poetry. Unlike a workshop environment that prioritizes student work and student-led conversation in […]
Russel Edson has called the prose poem “a cast-iron aeroplane that can actually fly, mainly because the pilot doesn't seem to care if it does or not,” while the Laura Sullivan explains that the language of prose poems is for “people who don't often get to hold the floor and know at any moment they […]
Esther Lin was born in Rio de Janeiro, Brazil, and lived in the United States as an undocumented immigrant for 21 years. She is the author of The Ghost Wife, winner of the 2017 Poetry Society of America’s Chapbook Fellowship. She was also a 2019–20 Writing Fellow at the Fine Arts Work Center, Provincetown, and […]
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